A master storyteller’s novel of crime, corruption, and antisemitism in early Manhattan, Ravage & Son reflects the lost world of Manhattan’s Lower East Side — the cradle of Jewish immigration during the first years of the twentieth century — in a dark mirror. Abraham Cahan, editor of the Jewish Daily Forward, serves as the conscience of the Jewish ghetto teeming with rogue cops and swindlers. He rescues Ben Ravage, an orphan, from a trade school and sends him off to Harvard to earn a law degree. But upon his return, Ben rejects the chance to escape his gritty origins and instead becomes a detective for the Kehilla, a quixotic gang backed by wealthy uptown patrons to help the police rid the Lower East Side of criminals. Charged with rooting out the Jewish “Mr. Hyde”, a half-mad villain who attacks the prostitutes of Allen Street, Ben discovers that his fate is irrevocably tied to that of this violent, sinister man.

Narrated by a starry-eyed reporter, Big Red reimagines the tragic career of Rita Hayworth and her indomitable husband, Orson Welles. Set amidst the noir glamour of Hollywood's Golden Age, Big Red reenvisions the life of one of America's most enduring icons: Gilda herself, Rita Hayworth, whose fiery red hair and hypnotic dancing helped make her the quintessential movie star of the 1940s. With narrator Rusty Redburn - a feisty second-string gossip columnist from Kalamazoo tasked with spying on Hayworth by Columbia movie mogul Harry 'The Janitor' Cohn - as our guide, we follow the meteoric rise and heartrending demise of the actress, encountering her exploitative father, Eduardo; her controlling husband, 'boy genius' Orson Welles; and notorious journalist Louella Parsons, among many others. Mixing his trademark screwball comedy and unerring tragedy, Jerome Charyn, with his 'polymorphous imagination' (Jonathan Lethem) reanimates film classics such as Cover Girl, Gilda, and The Lady from Shanghai. An insightful, tender portrait of a seemingly halcyon age before blockbusters and film franchises, Big Red promises to consume both Hollywood cinephiles and neophytes alike.

On a windy night in 1937, a seventeen-year-old German naval sub-cadet is wandering along the seawall when he stumbles upon a gang of ruffians beating up a tramp, whose life he saves. The man is none other than spymaster Wilhelm Canaris, chief of the Abwehr, German military intelligence. Canaris adopts the young man and dubs him 'Cesare' after the character in the silent film The Cabinet of Dr. Caligari for his ability to break through any barrier as he eliminates the Abwehr's enemies. Canaris is a man of contradictions who, while serving the regime, seeks to undermine the Nazis and helps Cesare hide Berlin's Jews from the Gestapo. But the Nazis will lure many to Theresienstadt, a phony paradise in Czechoslovakia with sham restaurants, novelty shops, and bakeries, a cruel ghetto and way station to Auschwitz. When the woman Cesare loves, a member of the Jewish underground, is captured and sent there, Cesare must find a way to rescue her.

J.D. Salinger, mysterious author of The Catcher in the Rye, is remembered today as a reclusive misanthrope. Jerome Charyn's Salinger is a young American WWII draftee assigned to the Counter Intelligence Corps, a band of secret soldiers who trained with the British. A rifleman and an interrogator, he witnessed all the horrors of the war - from the landing on D-Day to the relentless hand-to-hand combat in the hedgerows of Normandy, to the Battle of the Bulge, and finally to the first Allied entry into a Bavarian death camp, where corpses were piled like cordwood. After the war, interned in a Nuremberg psychiatric clinic, Salinger became enchanted with a suspected Nazi informant. They married, but not long after he brought her home to New York, the marriage collapsed. Maladjusted to civilian life, he lived like a 'spook,' with invisible stripes on his shoulder, the ghosts of the murdered inside his head, and stories to tell. Grounded in biographical fact and reimagined as only Charyn could, Sergeant Salinger is an astonishing portrait of a devastated young man on his way to becoming the mythical figure behind a novel that has marked generations.

A spy navigates the labyrinthine horrors of Nazi Germany, on a mission to save the woman he loves "Charyn's blunt, brilliantly crafted prose bubbles with the pleasure of nailing life to the page in just the right words. . . . [Cesare is] provocative, stimulating and deeply satisfying." -Washington Post On a windy night in 1937, a seventeen-year-old German naval sub-cadet is wandering along the seawall when he stumbles upon a gang of ruffians beating up a tramp, whose life he saves. The man is none other than spymaster Wilhelm Canaris, chief of the Abwehr, German military intelligence. Canaris adopts the young man and dubs him "Cesare" after the character in the silent film The Cabinet of Dr. Caligari for his ability to break through any barrier as he eliminates the Abwehr's enemies. Canaris is a man of contradictions who, while serving the regime, seeks to undermine the Nazis and helps Cesare hide Berlin's Jews from the Gestapo. But the Nazis will lure many to Theresienstadt, a phony paradise in Czechoslovakia with sham restaurants, novelty shops, and bakeries, a cruel ghetto and way station to Auschwitz. When the woman Cesare loves, a member of the Jewish underground, is captured and sent there, Cesare must find a way to rescue her. Cesare is a literary thriller and a love story born of the horrors of a country whose culture has died, whose history has been warped, and whose soul has disappeared. Jerome Charyn is the author of more than fifty works of fiction and nonfiction. Among other honors, he has received the Rosenthal Family Foundation Award for Fiction from the American Academy of Arts and Letters and his novels have been selected as finalists for the Firecracker Award and PEN/Faulkner Award for Fiction. Charyn lives in New York.

PEN/ Jacqueline Bograd Weld Award for Biography Longlist O, The Oprah Magazine "Best Books of Summer" selection "Magnetic nonfiction." --O, The Oprah Magazine "Remarkable insight ...[a] unique meditation/investigation...Jerome Charyn the unpredictable, elusive, and enigmatic is a natural match for Emily Dickinson, the quintessence of these." --Joyce Carol Oates, author of Wild Nights! and The Lost Landscape We think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged poet who wrote: My Life had stood--a Loaded Gun-- ...Though I than He-- may longer live He longer must--than I-- For I have but the power to kill, Without--the power to die-- Through interviews with contemporary scholars, close readings of Dickinson's correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn's literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today. Jerome Charyn is the author of, most recently, Bitter Bronx: Thirteen Stories, I Am Abraham: A Novel of Lincoln and the Civil War, and The Secret Life of Emily Dickinson: A Novel. He lives in New York.

A shattering biographical novel of J.D. Salinger in combat “Charyn skillfully breathes life into historical icons.” —New Yorker J.D. Salinger, mysterious author of The Catcher in the Rye, is remembered today as a reclusive misanthrope. Jerome Charyn’s Salinger is a young American WWII draftee assigned to the Counter Intelligence Corps, a band of secret soldiers who trained with the British. A rifleman and an interrogator, he witnessed all the horrors of the war—from the landing on D-Day to the relentless hand-to-hand combat in the hedgerows of Normandy, to the Battle of the Bulge, and finally to the first Allied entry into a Bavarian death camp, where corpses were piled like cordwood. After the war, interned in a Nuremberg psychiatric clinic, Salinger became enchanted with a suspected Nazi informant. They married, but not long after he brought her home to New York, the marriage collapsed. Maladjusted to civilian life, he lived like a “spook,” with invisible stripes on his shoulder, the ghosts of the murdered inside his head, and stories to tell. Grounded in biographical fact and reimagined as only Charyn could, Sergeant Salinger is an astonishing portrait of a devastated young man on his way to becoming the mythical figure behind a novel that has marked generations. Jerome Charyn is the author of more than fifty works of fiction and nonfiction, including Cesare: A Novel of War-Torn Berlin. He lives in New York.

Since he first appeared on the American literary scene, Jerome Charyn has dazzled readers with his "blunt, brilliantly crafted prose" (Washington Post). Yet Charyn, a beloved comedic novelist, also possesses an extraordinary knowledge of Golden Age Hollywood, having taught film history both in the United States and France. With Big Red, Charyn reimagines the life of one of America's most enduring icons, "Gilda" herself, Rita Hayworth, whose fiery red tresses and hypnotic dancing graced the silver screen over sixty times in her nearly forty-year career. The quintessential movie star of the 1940s, Hayworth has long been objectified as a sex symbol, pin-up girl, and so-called Love Goddess. Here Charyn, channeling the ghosts of a buried past, finally lifts the veils that have long enshrouded Hayworth, evoking her emotional complexity-her passions, her pain, and her inner turmoil. Charyn's reimagining of Hayworth's story begins in 1943, in a roomette at the Hollywood Hotel, where narrator Rusty Redburn-an impetuous, second-string gossip columnist from Kalamazoo, Michigan-bides her time between working as a gofer in the publicity offices of Columbia Pictures, volunteering at an indie movie house, and pursuing dalliances with young women on the Sunset Strip. Called upon by the manipulative Columbia movie mogul Harry "The Janitor" Cohn to spy on Hayworth-then, the Dream Factory's most alluring "dame," and Cohn's biggest movie star-Rusty becomes Rita's confidante, accompanying her on a series of madcap adventures with her indomitable husband, the "boy genius" Orson Welles. But Rusty, an outlaw who can see beyond the prejudices of Hollywood's male-dominated hierarchy, quickly becomes disgusted with the way actresses, and particularly Rita, are exploited by men. As she struggles to balance the dangerous politics of Tinseltown with her desire to protect Rita from ruffians and journalists alike, Rusty has her own encounters-some sweet, some bruising-with characters real and imagined, from Julie Tanaka, an interned Japanese-American friend, to superstars like Clark Gable and Tallulah Bankhead, as well as notorious Hollywood gossip columnist Louella Parsons. Reanimating such classic films as Gilda and The Lady from Shanghai, Big Red is a bittersweet paean to Hollywood's Golden Age, a tender yet honest portrait of a time before blockbusters and film franchises-one that promises to consume both Hollywood cinephiles and neophytes alike. Lauded for his "polymorphous imagination" (Jonathan Lethem), Charyn once again has created one of the most inventive novels in recent American literature.

Widely considered "one of our most rewarding novelists," Jerome Charyn "has upped the ante" (Larry McMurtry) by re-creating the voice of Theodore Roosevelt through his derring-do adventures as New York City police commissioner, Rough Rider, and soon-to-be twenty-sixth president. Beginning with his sickly childhood and concluding with McKinley's assassination in 1901, Charyn positions Roosevelt as a fearless crime fighter and pioneering environmentalist who would grow up to be our greatest peacetime president. With an operatic cast, including "Bamie," his handicapped older sister; Eleanor, his gawky little niece; as well as the devoted Rough Riders; the novel memorably features the lovable mountain lion Josephine, who helped train Roosevelt for his "crowded hour," the charge up San Juan Hill. "Graced with vivid, vigorous writing" (Gerard Helferich, Wall Street Journal), The Perilous Adventures of the Cowboy King is a rollicking work of historical fiction that will appeal to fans of Michael Chabon's The Amazing Adventures of Kavalier & Clay.

"Jerome Charyn is one of the most important writers in American literature." --Michael Chabon "One of our finest writers." --Jonathan Lethem "One of our most intriguing fiction writers." --O, The Oprah Magazine "Charyn skillfully breathes life into historical icons." --New Yorker Jerzy Kosinski was a great enigma of post-World War II literature. When he exploded onto the American literary scene in 1965 with his best-selling novel The Painted Bird, he was revered as a Holocaust survivor and refugee from the world hidden behind the Soviet Iron Curtain. He won major literary awards, befriended actor Peter Sellers (who appeared in the screen adaptation of his novel Being There), and was a guest on talk shows and at the Oscars. But soon the facade began to crack, and behind the public persona emerged a ruthless social climber, sexual libertine, and pathological liar who may have plagiarized his greatest works. Jerome Charyn lends his unmistakable style to this most American story of personal disintegration, told through the voices of multiple narrators--a homicidal actor, a dominatrix, and Joseph Stalin's daughter--who each provide insights into the shifting facets of Kosinski's personality. The story unfolds like a Russian nesting doll, eventually revealing the lost child beneath layers of trauma, while touching on the nature of authenticity, the atrocities of WWII, the allure of sadomasochism, and the fickleness of celebrity. Jerome Charyn is the author of, most recently, A Loaded Gun: Emily Dickinson for the 21st Century, Bitter Bronx: Thirteen Stories, I Am Abraham: A Novel of Lincoln and the Civil War, and The Secret Life of Emily Dickinson: A Novel.

Raising the literary bar to a new level, Jerome Charyn re-creates the voice of Theodore Roosevelt, the New York City police commissioner, Rough Rider, and soon- to-be twenty-sixth president through his derring-do adventures, effortlessly combining superhero dialogue with haunting pathos. Beginning with his sickly childhood and concluding with McKinley's assassination, the novel positions Roosevelt as a "perfect bull in a china shop," a fearless crime fighter and pioneering environmentalist who would grow up to be our greatest peacetime president. With an operatic cast, including "Bamie," his handicapped older sister; Eleanor, his gawky little niece; as well as the devoted Rough Riders, the novel memorably features the lovable mountain lion Josephine, who helped train Roosevelt for his "crowded hour," the charge up San Juan Hill. Lauded by Jonathan Lethem for his "polymorphous imagination and crack comic timing," Charyn has created a classic of historical fiction, confirming his place as "one of the most important writers in American literature" (Michael Chabon).

Since publishing his first novel in 1964, Jerome Charyn has established himself as one of the most inventive and prolific literary chroniclers of the American landscape. Here in I Am Abraham, Charyn returns with an unforgettable portrait of Lincoln and the Civil War. Narrated boldly in the first person, I Am Abraham effortlessly mixes humor with Shakespearean-like tragedy, in the process creating an achingly human portrait of our sixteenth President.

Tracing the historic arc of Lincoln's life from his picaresque days as a gangly young lawyer in Sangamon County, Illinois, through his improbable marriage to Kentucky belle Mary Todd, to his 1865 visit to war-shattered Richmond only days before his assassination, I Am Abraham hews closely to the familiar Lincoln saga. Charyn seamlessly braids historical figures such as Mrs. Keckley the former slave, who became the First Lady's dressmaker and confidante and the swaggering and almost treasonous General McClellan with a parade of fictional extras: wise-cracking knaves, conniving hangers-on, speculators, scheming Senators, and even patriotic whores.

We encounter the renegade Rebel soldiers who flanked the District in tattered uniforms and cardboard shoes, living in a no-man's-land between North and South; as well as the Northern deserters, young men all, with sunken, hollowed faces, sitting in the punishing sun, waiting for their rendezvous with the firing squad; and the black recruits, whom Lincoln s own generals wanted to discard, but who play a pivotal role in winning the Civil War. At the center of this grand pageant is always Lincoln himself, clad in a green shawl, pacing the White House halls in the darkest hours of America s bloodiest war.

Using biblically cadenced prose, cornpone nineteenth-century humor, and Lincoln s own letters and speeches, Charyn concocts a profoundly moral but troubled commander in chief, whose relationship with his Ophelia-like wife and sons Robert, Willie, and Tad is explored with penetrating psychological insight and the utmost compassion. Seized by melancholy and imbued with an unfaltering sense of human worth, Charyn s President Lincoln comes to vibrant, three-dimensional life in a haunting portrait we have rarely seen in historical fiction."

Jerome Charyn, "one of the most important writers in American literature" (Michael Chabon), continues his exploration of American history through fiction with The Secret Life of Emily Dickinson, hailed by prize-winning literary historian Brenda Wineapple as a "breathtaking high-wire act of ventriloquism." Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn removes the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality. The novel, daringly written in first person, begins in the snow. It's 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. Inspired by her letters and poetry, Charyn goes on to capture the occasionally comic, always fevered, ultimately tragic story of her life-from defiant Holyoke seminarian to dying recluse.

Yolanda's a convict, caught by the cops while her boyfriend was robbing a bank. Now all the Hell Sisters at Harrington Hills prison farm are in love with her. Their leader wants to "marry" her. Yolanda has to find a way out. She's been taking a philosophy course in jail from Melvin P. Sparks, a Cornell professor who talks to the female convicts once a week about ecology, in galoshes and a torn shirt. But it's only a disguise. He's actually a member of the Christian Commandos, a ragtag group of environmental rangers who aren't quite soldiers or spies.

Yolanda happens to be the cousin of Ruben Falcone, king of the Medellin cartel. The rangers want to meet with Ruben, who's hiding in the jungles of Colombia, while a dozen agencies destroy the rain forest tracking him. Sparks helps Yolanda get out of jail, whisking her off to Mandellin to find her long lost cousin.

And so begins a journey that takes Yolanda into a crazy, comic heart of darkness, where nothing is ever as it seems, where a druglord can be a minister of environment, where Yolanda dances in a hundred rumbeaderos with different tango kings--all of them marked for death--and where she's sucked into the current of a world she only half understands. Death of a Tango King is a sad, funny, and disturbing novel about the coming of a new century, where the distance between right and wrong is not only irregular, but also hard to find."

"Jerome Charyn is one of the most important writers in American literature." --Michael Chabon "Whatever milieu [Charyn] chooses to inhabit . . . his sentences are pure vernacular music, his voice unmistakable." --Jonathan Lethem "With his customary linguistic verve and pulsing imagination, Charyn serves up here some of the tastiest essay writing available. He knows and loves New York past and present, and he draws on a lifetime of raucous experience and dedicated reading for a rich, heady, satisfying brew." --Phillip Lopate In the New York Review of Books, Joyce Carol Oates expressed her admiration for an equally prolific contemporary: "Among Charyn's writerly gifts is a dazzling energy. . . . [He is] an exuberant chronicler of the mythos of American life"; the Los Angeles Times described him as "absolutely unique among American writers." In these ten essays, Charyn shares personal stories about places steeped in history and myth, including his beloved New York, and larger-than-life personalities from the Bible and from the worlds of film, literature, politics, sports, and the author's own family. Together, writes Charyn, these essays create "my own lyrical autobiography. Several of the selections are about other writers, some celebrated, some forgotten. . . . All of [whom] scalped me in some way, left their mark." Jerome Charyn is the author of more than fifty works of fiction and nonfiction. Among other honors, Charyn has been named a Commander of Arts and Letters by the French Minister of Culture and received the Rosenthal Family Foundation Award for Fiction from the American Academy of Arts and Letters.

Cast in the form of a hilariously ribald parody of a literary quarterly, ? "The Tar Baby"?is a brilliant, audacious, story-filled novel populated by an array of brawling academics and earthy townies. A commemorative issue honoring the late Anatole Waxman-Weissman, the book/journal parodies a number of academic fads and concerns as the various contributors expose their and their subject's many idiosyncrasies while pursuing their own private agendas.

In Bitter Bronx, one of our most gifted and original novelists depicts a world before and after modern urban renewal destroyed the gritty sanctity of a land made famous by Ruth, Gehrig, and Joltin' Joe. Bitter Bronx is suffused with the texture and nostalgia of a lost time and place, combining a keen eye for detail with Jerome Charyn's lived experience. These stories are informed by a childhood growing up near that middle-class mecca, the Grand Concourse; falling in love with three voluptuous librarians at a public library in the Lower Depths of the South Bronx; and eating at Mafia-owned restaurants along Arthur Avenue's restaurant row, amid a "land of deprivation...where fathers trundled home...with a monumental sadness on their shoulders." In "Lorelei," a lonely hearts grifter returns home and finds his childhood sweetheart still living in the same apartment house on the Concourse; in "Archy and Mehitabel" a high school romance blossoms around a newspaper comic strip; in "Major Leaguer" a former New York Yankee confronts both a gang of drug dealers and the wreckage that Robert Moses wrought in his old neighborhood; and in three interconnected stories-"Silk & Silk," "Little Sister," and "Marla"-Marla Silk, a successful Manhattan attorney, discovers her father's past in the Bronx and a mysterious younger sister who was hidden from her, kept in a fancy rest home near the Botanical Garden. In these stories and others, the past and present tumble together in Charyn's singular and distinctly "New York prose, street-smart, sly, and full of lurches" (John Leonard, New York Times). Throughout it all looms the "master builder" Robert Moses, a man who believed he could "save" the Bronx by building a highway through it, dynamiting whole neighborhoods in the process. Bitter Bronx stands as both a fictional eulogy for the people and places paved over by Moses' expressway and an affirmation of Charyn's "brilliant imagination" (Elizabeth Taylor, Chicago Tribune).

After decades of madness in the Bronx, Isaac Sidel visits the craziest state in the country
Isaac Sidel is too popular to be America's vice president. Once the New York Police Department commissioner, he became the most beloved mayor in the city's history--famous for his refusal to surrender his Glock, and for his habit of disappearing for months at a time to fight crime at street level. So when baseball czar J. Michael Storm asks Sidel to join him on the election's Democratic ticket, the two wild men romp to an unprecedented landslide. But as the president-elect's mandate goes off the rails--threatened by corruption, sex, and God knows what else--he tires of being overshadowed by Sidel, and dispatches him to a place from which tough politicians seldom return: Texas. In the Lone Star state, Sidel confronts rogue astrologers, accusations of pedophilia, and a dimwitted assassin who doesn't know when to take an easy shot. If this Bronx bomber doesn't watch his step, he risks making vice-presidential history by getting killed on the job.

A cop and his disgraced mentor attempt to bust a white slavery ringBefore Isaac Sidel adopts him, Manfred Coen is a mutt. A kid from the Bronx, he joins the police academy after his father's suicide leaves him directionless, and is trudging along like any other cadet when first deputy Sidel, the commissioner's right hand man, comes looking for a young cop with blue eyes to infiltrate a ring of Polish smugglers. He chooses Coen, and asks the cadet to join his department after he finishes the academy. Working under Sidel means fast promotions, plush assignments, and, when a corruption scandal topples his mentor, the resentment of every rank-and-file detective on the force. Now just an ordinary cop, Coen hears word that his old mentor has a line on a human trafficking operation. When Sidel's attempt at infiltration fails, he sends in Coen. For Coen, it's a shot to prove himself and redeem his mentor, but it could cost the blue-eyed cop his life.